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"Among all aspects of knowledge, the knowledge of sound is supreme." — Hazrat Inayat Khan

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Don Simmons: “Limehouse Blues”

From the album A Session with Don Simmons (1966)

It is necessary to hear the Wurlitzer organ as the summation, in a single apparatus, of the sonic ideal of an entire human milieu.  Just as the Baroque pipe organ was that era’s templum musicum, a machine for the transmission and reception of divine forces, the Wurlitzer musically invoked a higher power in the public rituals of American modernity, namely shopping and leisure.

Like the pipe organs, but with a much shorter life span, the Wurlitzers are now carefully preserved relics, the sole denizens of otherwise abandoned holy places. And indeed, one has a similar uncanny sensation in old movie theaters and shopping-centers—these forlorn palaces of consumerism—as in the empty cathedrals of Europe.

The Wurlitzer repertoire is filled with songs you’ve heard before a millions times but never known the name of—anonymous earworms like “Sweet Georgia Brown, “We Three,” and “Limehouse Blues.”  This last number gives a good sense of the Wurlitzer’s sound.  It’s played here by Don Simmons, who (seriously) was the resident organist at the Oaks Park Roller Rink in Portland, Oregon, from 1962 until his death in 1985.

Wurlitzer at the Paramount Theater in Seattle, Washington


Played 95 time(s).

February 26, 2010, 5:24pm

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